Do not pretend that you don't like it
when we threaten you.
We see you getting pheromone stink
under the collar, moaning, baldly.
Motionless, picturing decay.
When we creak your step,
when we crack your glass,
when we tap tap tap,
that is a bone
that is all we have
though we are very shiny,
and filled with beetles.
We are made entirely of bone.
Like an idol.
Like the tusk of some wonderful past.
When you cleave to us,
your skin will fuse,
hot calcium meth,
and in the myth,
you will be named for us.
Danielle Pafunda
Friday, October 29, 2010
Monday, October 18, 2010
Do Not Go Gentle Into That Good Night
Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.
Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.
Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.
Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.
Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.
And you, my father, there on the sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.
Dylan Thomas
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.
Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.
Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.
Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.
Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.
And you, my father, there on the sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.
Dylan Thomas
Sunday, September 12, 2010
If I Had My Life to Live Over
(Written after the author found out she was dying from cancer.)
I would have gone to bed when I was sick instead of pretending the earth would go into a holding pattern if I weren't there for the day.
I would have burned the pink candle sculpted like a rose before it melted in storage.
I would have talked less and listened more.
I would have invited friends over to dinner even if the carpet was stained or the sofa faded.
I would have eaten the popcorn in the 'good' living room and worried much less about the dirt when someone wanted to light a fire in the fireplace.
I would have taken the time to listen to my grandfather ramble about his youth.
I would never have insisted the car windows be rolled up on a summer day because my hair had just been teased and sprayed.
I would have sat on the lawn with my children and not worried about grass stains.
I would have cried and laughed less while watching television and more while watching life.
I would never have bought anything just because it was practical, wouldn't show soil, or was guaranteed to last a lifetime.
Instead of wishing away nine months of pregnancy, I'd have cherished every moment and realized that the wonderment growing inside me was the only chance in life to assist God in a miracle.
When my kids kissed me impetuously, I would never have said, "Later. Now go get washed up for dinner."
There would have been more "I love you's." More "I'm sorry's."
But mostly, given another shot at life, I would seize every minute, look at it and really see it , live it and never give it back.
Erma Bombeck
I would have gone to bed when I was sick instead of pretending the earth would go into a holding pattern if I weren't there for the day.
I would have burned the pink candle sculpted like a rose before it melted in storage.
I would have talked less and listened more.
I would have invited friends over to dinner even if the carpet was stained or the sofa faded.
I would have eaten the popcorn in the 'good' living room and worried much less about the dirt when someone wanted to light a fire in the fireplace.
I would have taken the time to listen to my grandfather ramble about his youth.
I would never have insisted the car windows be rolled up on a summer day because my hair had just been teased and sprayed.
I would have sat on the lawn with my children and not worried about grass stains.
I would have cried and laughed less while watching television and more while watching life.
I would never have bought anything just because it was practical, wouldn't show soil, or was guaranteed to last a lifetime.
Instead of wishing away nine months of pregnancy, I'd have cherished every moment and realized that the wonderment growing inside me was the only chance in life to assist God in a miracle.
When my kids kissed me impetuously, I would never have said, "Later. Now go get washed up for dinner."
There would have been more "I love you's." More "I'm sorry's."
But mostly, given another shot at life, I would seize every minute, look at it and really see it , live it and never give it back.
Erma Bombeck
Wednesday, September 8, 2010
The Heart
In the desert,
I saw a creature, naked, bestial,
Who, squatting upon the ground,
Held his heart in his hands,
And ate of it.
I said, 'Is it good friend?'
'It is bitter---bitter,' he answered;
'But I like it
Because it is bitter,
And because it is my heart.'
Stephen Crane
I saw a creature, naked, bestial,
Who, squatting upon the ground,
Held his heart in his hands,
And ate of it.
I said, 'Is it good friend?'
'It is bitter---bitter,' he answered;
'But I like it
Because it is bitter,
And because it is my heart.'
Stephen Crane
Monday, September 6, 2010
I Said to Poetry
I said to Poetry: "I'm finished
with you."
Having to almost die
before some weird light
comes creeping through
is no fun.
"No thank you, Creation,
no muse need apply.
I'm out for good times –
at the very least,
some painless convention."
Poetry laid back
and played dead
until this morning.
I wasn't sad or anything,
only restless.
Poetry said: "You remember
the desert, and how glad you were
that you have an eye
to see it with? You remember
that, if ever so slightly?"
I said: "I didn't hear that.
Besides, it's five o'clock in the a.m.
I'm not getting up
in the dark
to talk to you."
Poetry said: "But think about the time
you saw the moon
over that small canyon
that you liked so much better
than the grand one – and how suprised you were
that the moonlight was green
and you still had
one good eye
to see it with
Think of that!"
"I'll join the church!" I said,
huffily, turning my face to the wall.
"I'll learn how to pray again!"
"Let me ask you," said Poetry.
"When you pray, what do you think
you'll see?"
Poetry had me.
"There's no paper
in this room," I said.
"And that new pen I bought
makes a funny noise."
"Bullshit," said Poetry.
"Bullshit," said I.
Alice Walker
with you."
Having to almost die
before some weird light
comes creeping through
is no fun.
"No thank you, Creation,
no muse need apply.
I'm out for good times –
at the very least,
some painless convention."
Poetry laid back
and played dead
until this morning.
I wasn't sad or anything,
only restless.
Poetry said: "You remember
the desert, and how glad you were
that you have an eye
to see it with? You remember
that, if ever so slightly?"
I said: "I didn't hear that.
Besides, it's five o'clock in the a.m.
I'm not getting up
in the dark
to talk to you."
Poetry said: "But think about the time
you saw the moon
over that small canyon
that you liked so much better
than the grand one – and how suprised you were
that the moonlight was green
and you still had
one good eye
to see it with
Think of that!"
"I'll join the church!" I said,
huffily, turning my face to the wall.
"I'll learn how to pray again!"
"Let me ask you," said Poetry.
"When you pray, what do you think
you'll see?"
Poetry had me.
"There's no paper
in this room," I said.
"And that new pen I bought
makes a funny noise."
"Bullshit," said Poetry.
"Bullshit," said I.
Alice Walker
Sunday, September 5, 2010
Rural Reflections
This is the grass your feet are planted on.
You paint it orange or you sing it green,
But you have never found
A way to make the grass mean what you mean.
A cloud can be whatever you intend:
Ostrich or leaning tower or staring eye.
But you have never found
A cloud sufficient to express the sky.
Get out there with your splendid expertise;
Raymond who cuts the meadow does not less.
Inhuman nature says:
Inhuman patience is the true success.
Human impatience trips you as you run;
Stand still and you must lie.
It is the grass that cuts the mower down;
It is the cloud that swallows up the sky.
Adrienne Rich
You paint it orange or you sing it green,
But you have never found
A way to make the grass mean what you mean.
A cloud can be whatever you intend:
Ostrich or leaning tower or staring eye.
But you have never found
A cloud sufficient to express the sky.
Get out there with your splendid expertise;
Raymond who cuts the meadow does not less.
Inhuman nature says:
Inhuman patience is the true success.
Human impatience trips you as you run;
Stand still and you must lie.
It is the grass that cuts the mower down;
It is the cloud that swallows up the sky.
Adrienne Rich
Thursday, August 26, 2010
Stations
Some women love
to wait
for life for a ring
in the June light for a touch
of the sun to heal them for another
woman’s voice to make them whole
to untie their hands
put words in their mouths
form to their passages sound
to their screams for some other sleeper
to remember their future their past.
Some women wait for their right
train in the wrong station
in the alleys of morning
for the noon to holler
the night come down.
Some women wait for love
to rise up
the child of their promise
to gather from earth
what they do not plant
to claim pain for labor
to become
the tip of an arrow to aim
at the heart of now
but it never stays.
Some women wait for visions
That do not return
Where they were not welcome
Naked
For invitations to places
They always wanted
To visit
To be repeated.
Some women wait for themselves
Around the next corner
And call the empty spot peace
But the opposite of living
Is only not living
And the stars do not care.
Some women wait for something
To change and nothing
Does change
So they change
Themselves.
Audre Lorde
to wait
for life for a ring
in the June light for a touch
of the sun to heal them for another
woman’s voice to make them whole
to untie their hands
put words in their mouths
form to their passages sound
to their screams for some other sleeper
to remember their future their past.
Some women wait for their right
train in the wrong station
in the alleys of morning
for the noon to holler
the night come down.
Some women wait for love
to rise up
the child of their promise
to gather from earth
what they do not plant
to claim pain for labor
to become
the tip of an arrow to aim
at the heart of now
but it never stays.
Some women wait for visions
That do not return
Where they were not welcome
Naked
For invitations to places
They always wanted
To visit
To be repeated.
Some women wait for themselves
Around the next corner
And call the empty spot peace
But the opposite of living
Is only not living
And the stars do not care.
Some women wait for something
To change and nothing
Does change
So they change
Themselves.
Audre Lorde
Wednesday, August 25, 2010
Beautiful people do not just happen
(This is not a poem, I know, but my love of poetry stems from my love of strong words strung together to create powerful lines and phrases. Quotes, now and then, suit.)
"The most beautiful people we have known are those who have known defeat, known suffering, known struggle, known loss, and have found their way out of the depths. These persons have an appreciation, a sensitivity, and an understanding of life that fills them with compassion, gentleness, and a deep loving concern. Beautiful people do not just happen."Elisabeth Kübler-Ross
Thursday, August 12, 2010
The Lanyard
The other day I was ricocheting slowly
off the blue walls of this room,
moving as if underwater from typewriter to piano,
from bookshelf to an envelope lying on the floor,
when I found myself in the L section of the dictionary
where my eyes fell upon the word lanyard.
No cookie nibbled by a French novelist
could send one into the past more suddenly—
a past where I sat at a workbench at a camp
by a deep Adirondack lake
learning how to braid long thin plastic strips
into a lanyard, a gift for my mother.
I had never seen anyone use a lanyard
or wear one, if that’s what you did with them,
but that did not keep me from crossing
strand over strand again and again
until I had made a boxy
red and white lanyard for my mother.
She gave me life and milk from her breasts,
and I gave her a lanyard.
She nursed me in many a sick room,
lifted spoons of medicine to my lips,
laid cold face-cloths on my forehead,
and then led me out into the airy light
and taught me to walk and swim,
and I, in turn, presented her with a lanyard.
Here are thousands of meals, she said,
and here is clothing and a good education.
And here is your lanyard, I replied,
which I made with a little help from a counselor.
Here is a breathing body and a beating heart,
strong legs, bones and teeth,
and two clear eyes to read the world, she whispered,
and here, I said, is the lanyard I made at camp.
And here, I wish to say to her now,
is a smaller gift—not the worn truth
that you can never repay your mother,
but the rueful admission that when she took
the two-tone lanyard from my hand,
I was as sure as a boy could be
that this useless, worthless thing I wove
out of boredom would be enough to make us even.
Billy Collins
off the blue walls of this room,
moving as if underwater from typewriter to piano,
from bookshelf to an envelope lying on the floor,
when I found myself in the L section of the dictionary
where my eyes fell upon the word lanyard.
No cookie nibbled by a French novelist
could send one into the past more suddenly—
a past where I sat at a workbench at a camp
by a deep Adirondack lake
learning how to braid long thin plastic strips
into a lanyard, a gift for my mother.
I had never seen anyone use a lanyard
or wear one, if that’s what you did with them,
but that did not keep me from crossing
strand over strand again and again
until I had made a boxy
red and white lanyard for my mother.
She gave me life and milk from her breasts,
and I gave her a lanyard.
She nursed me in many a sick room,
lifted spoons of medicine to my lips,
laid cold face-cloths on my forehead,
and then led me out into the airy light
and taught me to walk and swim,
and I, in turn, presented her with a lanyard.
Here are thousands of meals, she said,
and here is clothing and a good education.
And here is your lanyard, I replied,
which I made with a little help from a counselor.
Here is a breathing body and a beating heart,
strong legs, bones and teeth,
and two clear eyes to read the world, she whispered,
and here, I said, is the lanyard I made at camp.
And here, I wish to say to her now,
is a smaller gift—not the worn truth
that you can never repay your mother,
but the rueful admission that when she took
the two-tone lanyard from my hand,
I was as sure as a boy could be
that this useless, worthless thing I wove
out of boredom would be enough to make us even.
Billy Collins
Wednesday, June 30, 2010
interruption #3
circling
the amputated brain
recalling phantom thoughts, feelings
we remember feeling
that we don’t feel anymore.
the I-thought-you-knew-betters
(i thought i knew better, too.)
the poor decisions we make and remake.
a. tocchi
the amputated brain
recalling phantom thoughts, feelings
we remember feeling
that we don’t feel anymore.
the I-thought-you-knew-betters
(i thought i knew better, too.)
the poor decisions we make and remake.
a. tocchi
Monday, June 21, 2010
Love After Love
The time will come
when, with elation,
you will greet yourself arriving
at your own door, in your mirror,
and each will smile at the other's welcome,
and say, sit here. Eat.
You will love again the stranger who was your self.
Give wine. Give bread. Give back your heart
to itself, to the stranger who has loved you
all your life, whom you ignored
for another, who knows you by heart.
Take down the love letters from the bookshelf,
the photographs, the desperate notes,
peel your own image from the mirror.
Sit. Feast on your life.
Derek Walcott
when, with elation,
you will greet yourself arriving
at your own door, in your mirror,
and each will smile at the other's welcome,
and say, sit here. Eat.
You will love again the stranger who was your self.
Give wine. Give bread. Give back your heart
to itself, to the stranger who has loved you
all your life, whom you ignored
for another, who knows you by heart.
Take down the love letters from the bookshelf,
the photographs, the desperate notes,
peel your own image from the mirror.
Sit. Feast on your life.
Derek Walcott
Friday, June 18, 2010
The Night Has a Thousand Eyes
The night has a thousand eyes,
And the day but one;
Yet the light of the bright world dies
With the dying sun.
The mind has a thousand eyes,
And the heart but one;
Yet the light of a whole life dies
When love is done.
Francis William Bourdillon
And the day but one;
Yet the light of the bright world dies
With the dying sun.
The mind has a thousand eyes,
And the heart but one;
Yet the light of a whole life dies
When love is done.
Francis William Bourdillon
Thursday, June 17, 2010
Hesitate to Call
Lived to see you throwing
Me aside. That fought
Like netted fish inside me. Saw you throbbing
In my syrups. Saw you sleep. And lived to see
That all flushed down
The refuse. Done?
It lives in me.
You live in me. Malignant.
Love, you ever want me, don’t.
Louise Glück
Me aside. That fought
Like netted fish inside me. Saw you throbbing
In my syrups. Saw you sleep. And lived to see
That all flushed down
The refuse. Done?
It lives in me.
You live in me. Malignant.
Love, you ever want me, don’t.
Louise Glück
Monday, June 14, 2010
Habitation
Marriage is not
a house or even a tent
it is before that, and colder:
The edge of the forest, the edge
of the desert
the unpainted stairs
at the back where we squat
outside, eating popcorn
where painfully and with wonder
at having survived even
this far
we are learning to make fire
Margaret Atwood
a house or even a tent
it is before that, and colder:
The edge of the forest, the edge
of the desert
the unpainted stairs
at the back where we squat
outside, eating popcorn
where painfully and with wonder
at having survived even
this far
we are learning to make fire
Margaret Atwood
Wednesday, February 24, 2010
Sex Has a Way
Sex has a way of softening limbs,
oiling joints and melding hearts.
We burrow in closer
wrapping arms and legs over and under each other.
Earthy blanket of sleep covers us
two bodies releasing one breath.
Finding home,
coiled and tucked in each other's sweat.
Wendy Lee
oiling joints and melding hearts.
We burrow in closer
wrapping arms and legs over and under each other.
Earthy blanket of sleep covers us
two bodies releasing one breath.
Finding home,
coiled and tucked in each other's sweat.
Wendy Lee
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