Desiderata

Go placidly amid the noise and haste,
and remember what peace there may be in silence.
As far as possible without surrender
be on good terms with all persons.
Speak your truth quietly and clearly;
and listen to others,
even the dull and the ignorant;
they too have their story. 

Avoid loud and aggressive persons,
they are vexations to the spirit.
If you compare yourself with others,
you may become vain and bitter;
for always there will be greater and lesser persons than yourself.
Enjoy your achievements as well as your plans. 

Keep interested in your own career, however humble;
it is a real possession in the changing fortunes of time.
Exercise caution in your business affairs;
for the world is full of trickery.
But let this not blind you to what virtue there is;
many persons strive for high ideals;
and everywhere life is full of heroism. 

Be yourself.
Especially, do not feign affection.
Neither be cynical about love;
for in the face of all aridity and disenchantment
it is as perennial as the grass. 

Take kindly the counsel of the years,
gracefully surrendering the things of youth.
Nurture strength of spirit to shield you in sudden misfortune.
But do not distress yourself with dark imaginings.
Many fears are born of fatigue and loneliness.
Beyond a wholesome discipline,
be gentle with yourself. 

You are a child of the universe,
no less than the trees and the stars;
you have a right to be here.
And whether or not it is clear to you,
no doubt the universe is unfolding as it should. 

Therefore be at peace with God,
whatever you conceive Him to be,
and whatever your labors and aspirations,
in the noisy confusion of life keep peace with your soul. 

With all its sham, drudgery, and broken dreams,
it is still a beautiful world.
Be cheerful.
Strive to be happy.

Max Ehrmann

i carry your heart with me

i carry your heart with me(i carry it in

my heart)i am never without it(anywhere

i go you go,my dear;and whatever is done

by only me is your doing,my darling)

                                                      i fear

no fate(for you are my fate,my sweet)i want

no world(for beautiful you are my world,my true)

and it’s you are whatever a moon has always meant

and whatever a sun will always sing is you

here is the deepest secret nobody knows

(here is the root of the root and the bud of the bud

and the sky of the sky of a tree called life;which grows

higher than soul can hope or mind can hide)

and this is the wonder that's keeping the stars apart

i carry your heart(i carry it in my heart)

e. e. cummings

The Invitation

It doesn’t interest me
what you do for a living.
I want to know
what you ache for
and if you dare to dream
of meeting your heart’s longing.

It doesn’t interest me
how old you are.
I want to know
if you will risk
looking like a fool
for love
for your dream
for the adventure of being alive.

It doesn’t interest me
what planets are
squaring your moon...
I want to know
if you have touched
the centre of your own sorrow
if you have been opened
by life’s betrayals
or have become shrivelled and closed
from fear of further pain.

I want to know
if you can sit with pain
mine or your own
without moving to hide it
or fade it
or fix it.

I want to know
if you can be with joy
mine or your own
if you can dance with wildness
and let the ecstasy fill you
to the tips of your fingers and toes
without cautioning us
to be careful
to be realistic
to remember the limitations
of being human.

It doesn’t interest me
if the story you are telling me
is true.
I want to know if you can
disappoint another
to be true to yourself.
If you can bear
the accusation of betrayal
and not betray your own soul.
If you can be faithless
and therefore trustworthy.

I want to know if you can see Beauty
even when it is not pretty
every day.
And if you can source your own life
from its presence.

I want to know
if you can live with failure
yours and mine
and still stand at the edge of the lake
and shout to the silver of the full moon,
“Yes.”

It doesn’t interest me
to know where you live
or how much money you have.
I want to know if you can get up
after the night of grief and despair
weary and bruised to the bone
and do what needs to be done
to feed the children.

It doesn’t interest me
who you know
or how you came to be here.
I want to know if you will stand
in the centre of the fire
with me
and not shrink back.

It doesn’t interest me
where or what or with whom
you have studied.
I want to know
what sustains you
from the inside
when all else falls away.

I want to know
if you can be alone
with yourself
and if you truly like
the company you keep
in the empty moments.



Oriah

Some Extensions on the Sovereignty of Science

5

The smallest muscle in the human body is in the ear.

It is also the only muscle that does not have blood vessels;

It has fluid instead. The reason for this is clear:

The ear is so sensitive that the body, if it heard its own pulse,

Would be devastated by the amplification of its own sound.   

In this knowledge I sense a great metaphor,

But I do not want to be hasty in trying to capture or describe it.   

Words are our weakest hold on the world.

Alberto Ríos

Some Extensions on the Soveriegnty of Science

4

The reason you can’t lose weight later on in life is simple enough.   

It’s because of how so many people you know have died,

And that you carry a little of each of them with you.

Alberto Ríos

Some Extensions on the Sovereignty of Science

2

The hardest work of the last quarter of the twentieth century is to find   

An edge in the middle. When something explodes, for example,

Nobody is confused about what to do—you look toward it.

Loud is a magnet. But the laws of magnetism are more complex.

One might just as well try this: When something explodes,   

Turn exactly opposite from it and see what there is to see.

The loud will take care of itself, and everyone will be able to say   

What happened in that direction. But who is looking

The other way? Nature, that magician and author of loud sounds,   

Zookeeper and cook, electrician and provocateur—

Maybe these events are Nature’s sleight of hand, and the real   

Thing that’s happening is in the other hand,

Or behind or above or below or inside us. 

 

 

 

 Alberto Ríos

Funeral Blues

Stop all the clocks, cut off the telephone,
Prevent the dog from barking with a juicy bone,
Silence the pianos and with muffled drum
Bring out the coffin, let the mourners come.

Let aeroplanes circle moaning overhead
Scribbling on the sky the message 'He is Dead'.
Put crepe bows round the white necks of the public doves,
Let the traffic policemen wear black cotton gloves.

He was my North, my South, my East and West,
My working week and my Sunday rest,
My noon, my midnight, my talk, my song;
I thought that love would last forever: I was wrong.

The stars are not wanted now; put out every one,
Pack up the moon and dismantle the sun,
Pour away the ocean and sweep up the wood;
For nothing now can ever come to any good.



W. H. Auden

Untitled

It hurts
when love dies.
When love is deep,
it hurts deeply--
more deeply maybe than you thought
anything would ever hurt
again.

But with time,
the spaces between the moments when it hurts
get longer,
the moments themselves become
less devastating,
till eventually you come to associate them
with a sad sweetness
that has as much in common
with love
as it does with grief.

I wish you long
spaces in between,
and may you carry into them
all of that sweetness,
and only enough sadness to attest
the risk that's being taken
by everyone who loves you.


Jack McCarthy

Poem

Sometimes
everything
seems
so
oh, I don't know.


Joe Brainard

Play

Nothing’s going to become of anyone
except death:
therefore: it’s okay
to yearn
too high:
the grave accommodates
swell rambunctiousness &
ruin’s not
compromised by magnificence:
the cut-off point
liberates us to the
common disaster: so
pick a perch –
apple bough for example in bloom –
tune up
and if you like
drill imagination right through necessity:
it’s all right:
it’s been taken care of:
is allowed, considering


A.R. Ammons

Summer Nights and Days

So far the nights feel lonelier than the days.
In light, the living keep me company,
and memories of voices through the years.
Each summer threads a green familiar maze.
Emerging sun-struck, you can barely spy
the slow kaleidoscope of clouds and hours.
Those flannel nightshirts chilly sleepers wear
as summer wanes: I’m giving them away.
Pass it on: you keep at the same time.
A bough has broken from the Duchess tree.
Rain swelled the apples. Too much lightness weighs
heavy: the heft of the idea of home
tempered with the detachment of a dream,
or tidal pulls, like ocean, like moonrise.


Rachel Hadas

Faith

When you walk to the edge of all the light you have
and take that first step into the darkness of the unknown,
you must believe that one of two things will happen:

There will be something solid for you to stand upon,
or, you will be taught how to fly.


Patrick Overton

Gather

Some springs, apples bloom too soon.
The trees have grown here for a hundred years, and are still quick
to trust that the frost has finished. Some springs,
pink petals turn black. Those summers, the orchards are empty
and quiet. No reason for the bees to come.

Other summers, red apples beat hearty in the trees, golden apples
glow in sheer skin. Their weight breaks branches,
the ground rolls with apples, and you fall in fruit.

You could say, I have been foolish. You could say, I have been fooled.
You could say, Some years, there are apples.


Rose McLarney

Song After Sadness

Despair is still servant
to the violet and wild ongoings
of bone. You, remember, are
that which must be made
servant only to salt, only
to the watery acre that is the body
of the beloved, only to the child
leaning forward into
the exhibit of birches
the forest has made of bronze light
and snow. Even as the day kneels
forward, the oceans and strung garnets, too,
kneel, they are all kneeling,
the city, the goat, the lime tree
and mother, the fearful doctor,
kneeling. Don't say it's the beautiful
I praise. I praise the human,
gutted and rising.


Katie Ford

Superstition

I have painted a picture of a ghost
Upon my kite,
And hung it on a tree.
Later, when I loose the string
And let it fly,
The people will cower
And hide their heads,
For fear of the God
Swimming in the clouds.


Amy Lowell

Travelling

This is the spot:—how mildly does the sun
Shine in between the fading leaves! the air
In the habitual silence of this wood
Is more than silent: and this bed of heath,
Where shall we find so sweet a resting-place?
Come!—let me see thee sink into a dream
Of quiet thoughts,—protracted till thine eye
Be calm as water when the winds are gone
And no one can tell whither.—my sweet friend!
We two have had such happy hours together
That my heart melts in me to think of it.


William Wordsworth

Rondo

The noun one keeps batting away
refuses declension.

He says, I don’t want to be
twenty-four again.
Twenty-four was a handful:

the flawless
meatflesh, best self, miraculous
leap/thump on the hardwood,
the twist and splash.

The exuberance
in the present tense,

the timebound blood pump
two throbbing lungs butt
in their bone cage

surges to bursting.
He does not perdure

in this internal defection:
so rare, and so heroic.


Janet Holmes

I'd Like a Little Flashlight

and I'd like to get naked and into bed and be hot radiating heat from the inside these sweaters and fleeceys do nothing to keep out the out or keep my vitals in—some drafty body I've got leaking in and out in all directions I'd like to get naked into bed but hot on this early winter afternoon already dusky grim and not think of all the ways I've gone about the world and shown myself a fool, shame poking holes in my thinned carapace practically lacy and woefully feminine I'd like to get naked into bed and feel if not hot then weightless as I once was in the sensory deprivation tank in Madison, Wisconsin circa 1992 I paid money for that perfectly body-temperatured silent pitch dark tank to do what? play dead and not die? that was before email before children before I knew anything more than the deaths of a few loved ones which were poisoned nuts of swallowed grief but nothing of life of life giving which cuts open the self bursting busted unsolvable I'd like to get naked! into the bed of my life but hot hot my little flicker-self trumped up somehow blind and deaf to all the dampening misery of my friends' woe-oh-ohs and I'd like a little flashlight to write poems with this lousy day not this poem I'm writing under the mostly flat blaze of bulb but a poem written with the light itself a tiny fleeting love poem to life hot hot hot a poem that would say "oh look here a bright spot of life, oh look another!"


Rachel Zucker

To The Harbormaster

I wanted to be sure to reach you;
though my ship was on the way it got caught
in some moorings. I am always tying up
and then deciding to depart. In storms and
at sunset, with the metallic coils of the tide
around my fathomless arms, I am unable
to understand the forms of my vanity
or I am hard alee with my Polish rudder
in my hand and the sun sinking. To
you I offer my hull and the tattered cordage
of my will. The terrible channels where
the wind drives me against the brown lips
of the reeds are not all behind me. Yet
I trust the sanity of my vessel; and
if it sinks, it may well be in answer
to the reasoning of the eternal voices,
the waves which have kept me from reaching you.


Frank O'Hara

The Descent of Man

My failure to evolve has been causing me a lot of grief lately.
I can't walk on my knuckles through the acres of shattered glass in the streets.
I get lost in the arcades. My feet stink at the soirees.
The hills have been bulldozed from whence cameth my help.
The halfway houses where I met my kind dreaming of flickering lights in the woods
are shuttered I don't know why.
"Try," say the good people who bring me my food,
"to make your secret anguish your secret weapon.
Otherwise, your immortality will be
an exhibit in a vitrine at the local museum, a picture in a book."
But I can't get the hang of it. The heavy instructions fall from my hands.
It takes so long for the human to become a human!
He affrights civilizations with his cry. At his approach,
the mountains retreat. A great wind crashes the garden party.
Manipulate singly neither his consummation nor his despair
but the two together like curettes
and peel back the pitch-black integuments
to discover the penciled-in figure on the painted-over mural of time,
sitting on the sketch of a boulder below
his aching sunrise, his moody, disappointed sunset.


Vijay Seshadri